haidar abdollahi; behnaz alipoor gaskari; ayoob moradi; Behnaz payamni
Abstract
Discourse analysis is one of the relatively new theories that was first proposed in politics and social sciences and then entered the literary debate and became the basis for the study and analysis of literary concepts. Discourse analysis took three constructive, role-oriented, and critical paths, until ...
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Discourse analysis is one of the relatively new theories that was first proposed in politics and social sciences and then entered the literary debate and became the basis for the study and analysis of literary concepts. Discourse analysis took three constructive, role-oriented, and critical paths, until Laclau and Moffe eventually added new dimensions to it by combining previous theories and adding new concepts. In this research, socio-political ideas in the poems of Shirko Beiks and Mehdi Akhavan Sales have been studied based on the analysis of Laclau and Moff discourse and the differences and similarities between the views of the two poets on the nodal point (patriotism) and the floating points around it such as freedom, justice, love and human are described. The findings of the present study, which is a descriptive-analytical method based on library and documentary methods, show that both poets have many similarities and in some cases have slight differences in socio-political thought and this was due to the social and cultural commonalities in Persian and Kurdish literature, as well as the special circumstances of the period of the two poets.
Language and Culture
shahrzad bahmani; ayoob moradi; aliasghar bovandshahryari
Abstract
Linguistic analysis is part of discourse analysis methods to identify linguistic features that are described at the micro level. The purpose of the present study is to decode the formal and linguistic characteristics of mythological discourse of Ferdowsi's Shahnameh based on Faircloug’s theoretical ...
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Linguistic analysis is part of discourse analysis methods to identify linguistic features that are described at the micro level. The purpose of the present study is to decode the formal and linguistic characteristics of mythological discourse of Ferdowsi's Shahnameh based on Faircloug’s theoretical framework. According to linguistic studies, the organization of vocabulary in the interaction with the speaker's knowledge is presented in three intermittent periods: the role of language on the structure of the discourse-producing worldview of ideology and the role of the first man, the expressive values of vocabulary, and the social relations of the identities of the text, and the coherent design to the formation of discourse and stories. On the basis of lexical variables, the third period is in the highest number of types of semantic relations in the center of the repetition of the ideological mythology. The grammatical features in the tables show the role of the thinkers, the interlocutors, and the expression of language in the selection of the names of characters and the formation of the epic genre of discourse. The qoutying styles of indirect quotation in reporting information shows the source of the speaker's authority and the social constructivism of the text in interacting with the racial basis. Also, pronoun references are the most coherent factor in linguistic transcription in the production of statements with the reference of old identities (known).
